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Roles and Languages in Contemporary Bulgarian Art Studies

„Аз-буки“ от „Аз-буки“
20-06-2025
in Uncategorized
A A

Galina Lardeva

AMDFA “Prof Asen Diamandiev” Plovdiv – Plovdiv, Bulgaria

https://doi.org/10.53656/bel2025-3-1G

AbstractThe article aims to outline in general terms the possibilities for correlation between roles and languages used in the contemporary Bulgarian art historical practice. The study focuses its search on the last decade and observes how the roles are gradually narrowing and reducing, while the languages– on the contrary – are swarming up and gaining immensity even within the same role. For the purposes of the article, as exemplary material are used four fundamental works published in recent years: Nozharova (2018), Dzhurova (2020), Marinska (2020), Popov (2021). These are, without exception, works with a fundamental requisition, which, along with their immediate objects of research, attempt to outline the state of the specialized interest in art.

Keywords:contemporary art studies; art theory; art history; art criticism; affirmative criticism

 

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Свързани статии:

Default ThumbnailBirds in Medieval Bulgarian Art Default ThumbnailThe Images of Birds in the Ancient Floor Mosaics from Bulgaria from an Ornithological Aspect: Species, Origin and Trade Relations (2nd – 6th c.e.) Default ThumbnailState and Barriers to the Digitalization of Small and Medium-Sized Enterprises in Bulgaria Default Thumbnail“The Soul of the Teacher” in the Field of Choice, Bifurcation and Intertextuality
Tags афирмативна критикаистория на изкуствотосъвременно изкуствознаниетеория на изкуствотохудожествена критика

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